A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications

Li, Yiqi

A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications

dc.contributor.author	Li, Yiqi
dc.date.accessioned	2017-04-21T21:43:29Z
dc.date.available	2017-04-21T21:43:29Z
dc.date.graduationmonth	May
dc.date.issued	2017-05-01
dc.description.abstract	This report is a study of Johann Sebastian Bach’s Partita in C minor, BWV 826; Ludwig van Beethoven’s Sonata in F-sharp major, Op.78; Fryderyk Chopin’s Scherzo in B Minor, Op.20; M. Ravel’s “Miroirs”: II. Oiseaux tristes, IV. Alborada del gracioso, V. Vallee de cloches; These compositions are part of the author’s Master’s Piano Recital given on April 12, 2017. The study mainly discusses from historical, theoretical and stylistic perspectives.
dc.description.advisor	Slawomir P. Dobrzanski
dc.description.degree	Master of Music
dc.description.department	School of Music, Theatre, and Dance
dc.description.level	Masters
dc.identifier.uri	http://hdl.handle.net/2097/35514
dc.language.iso	en_US
dc.publisher	Kansas State University
dc.rights	© the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
dc.rights.uri	http://rightsstatements.org/vocab/InC/1.0/
dc.subject	L Van Beethoven's Sonata Op.78
dc.subject	F. Chopin's Scherzo Op.20
dc.subject	M. Ravel's MiroirsBach’s Partita in C Minor BWV 826
dc.title	A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications
dc.type	Report