A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications
Date
2017-05-01
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Kansas State University
Abstract
This report is a study of Johann Sebastian Bach’s Partita in C minor, BWV 826; Ludwig van Beethoven’s Sonata in F-sharp major, Op.78; Fryderyk Chopin’s Scherzo in B Minor, Op.20; M. Ravel’s “Miroirs”: II. Oiseaux tristes, IV. Alborada del gracioso, V. Vallee de cloches; These compositions are part of the author’s Master’s Piano Recital given on April 12, 2017. The study mainly discusses from historical, theoretical and stylistic perspectives.
Description
Keywords
Bach’s Partita in C Minor BWV 826, L Van Beethoven's Sonata Op.78, F. Chopin's Scherzo Op.20, M. Ravel's Miroirs
Graduation Month
May
Degree
Master of Music
Department
School of Music, Theatre, and Dance
Major Professor
Slawomir P. Dobrzanski
Date
2017
Type
Report
