A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications
Date
2017-05-01
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Kansas State University
Abstract
This report is a study of Johann Sebastian Bach’s Partita in C minor, BWV 826; Ludwig van Beethoven’s Sonata in F-sharp major, Op.78; Fryderyk Chopin’s Scherzo in B Minor, Op.20; M. Ravel’s “Miroirs”: II. Oiseaux tristes, IV. Alborada del gracioso, V. Vallee de cloches; These compositions are part of the author’s Master’s Piano Recital given on April 12, 2017. The study mainly discusses from historical, theoretical and stylistic perspectives.
Description
Keywords
L Van Beethoven's Sonata Op.78, F. Chopin's Scherzo Op.20, M. Ravel's MiroirsBach’s Partita in C Minor BWV 826
Graduation Month
May
Degree
Master of Music
Department
School of Music, Theatre, and Dance
Major Professor
Slawomir P. Dobrzanski
Date
Type
Report