A study of J. S. Bach’s Toccata in E Minor, BWV 914; L. van Beethoven’s Piano Sonata No. 7 in D Major, Op. 10, No. 3; F. Liszt’s Grandes Études de Paganini, No. 3, La Campanella, and St. François d’Assise: La Prédication aux Oiseaux, from Deux Légendes, S. 175/1; and S. Prokofiev’s Piano Sonata No. 2 in D minor, Op. 14. Historical, theoretical, stylistic, and pedagogical implications.

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