A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications

dc.contributor.author	Li, Yiqi
dc.date.accessioned	2017-04-21T21:43:29Z
dc.date.available	2017-04-21T21:43:29Z
dc.date.issued	2017-05-01	en_US
dc.identifier.uri	http://hdl.handle.net/2097/35514
dc.description.abstract	This report is a study of Johann Sebastian Bach’s Partita in C minor, BWV 826; Ludwig van Beethoven’s Sonata in F-sharp major, Op.78; Fryderyk Chopin’s Scherzo in B Minor, Op.20; M. Ravel’s “Miroirs”: II. Oiseaux tristes, IV. Alborada del gracioso, V. Vallee de cloches; These compositions are part of the author’s Master’s Piano Recital given on April 12, 2017. The study mainly discusses from historical, theoretical and stylistic perspectives.	en_US
dc.language.iso	en_US	en_US
dc.publisher	Kansas State University	en
dc.subject	Bach’s Partita in C Minor BWV 826	en_US
dc.subject	L Van Beethoven's Sonata Op.78
dc.subject	F. Chopin's Scherzo Op.20
dc.subject	M. Ravel's Miroirs
dc.title	A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications	en_US
dc.type	Report	en_US
dc.description.degree	Master of Music	en_US
dc.description.level	Masters	en_US
dc.description.department	School of Music, Theatre, and Dance	en_US
dc.description.advisor	Slawomir Dobrzanski	en_US
dc.date.published	2017	en_US
dc.date.graduationmonth	May	en_US