A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications

Date

2017-05-01

Authors

Journal Title

Journal ISSN

Volume Title

Publisher

Kansas State University

Abstract

This report is a study of Johann Sebastian Bach’s Partita in C minor, BWV 826; Ludwig van Beethoven’s Sonata in F-sharp major, Op.78; Fryderyk Chopin’s Scherzo in B Minor, Op.20; M. Ravel’s “Miroirs”: II. Oiseaux tristes, IV. Alborada del gracioso, V. Vallee de cloches; These compositions are part of the author’s Master’s Piano Recital given on April 12, 2017. The study mainly discusses from historical, theoretical and stylistic perspectives.

Description

Keywords

Bach’s Partita in C Minor BWV 826, L Van Beethoven's Sonata Op.78, F. Chopin's Scherzo Op.20, M. Ravel's Miroirs

Graduation Month

May

Degree

Master of Music

Department

School of Music, Theatre, and Dance

Major Professor

Slawomir P. Dobrzanski

Date

2017

Type

Report

Citation