A study of L. van Beethoven’s Sonata Op. 109; R. Schumann’s Faschingsschwank aus Wien, Op. 26; F. Liszt’s Études d'Exécution Transcendante, S.139, No. 8; and S. Prokofiev’s Toccata, Op. 11: Historical, theoretical, and stylistic implications

Yonathan, Rinaldi Alvin2020-04-102020-04-102020-05-01https://hdl.handle.net/2097/40503The purpose of this Master’s report is to analyze the works performed at my piano recital on March 24, 2020. The compositions discussed are Ludwig van Beethoven’s Sonata in E major, Op. 109; Robert Schumann’s Faschingsschwank aus Wien, Op. 26; Franz Liszt’s Études d'Exécution Transcendante, S.139 No. 8 ‘Wilde Jagd’; and Sergei Prokofiev’s Toccata in D minor, Op. 11. The author approaches the analysis of the works from historical, theoretical, and stylistic perspectives.en-US© the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).http://rightsstatements.org/vocab/InC/1.0/faschingsschwank aus wienwilde jagdtoccata, op. 11sonata op. 109A study of L. van Beethoven’s Sonata Op. 109; R. Schumann’s Faschingsschwank aus Wien, Op. 26; F. Liszt’s Études d'Exécution Transcendante, S.139, No. 8; and S. Prokofiev’s Toccata, Op. 11: Historical, theoretical, and stylistic implicationsReport