An analysis of W.A. Mozart’s Sonata No. 18 in D Major, K.576, F. Schubert’s Drei Klavierstücke No. 2, D.946, F. Chopin’s Ballade No. 1 in G minor, Op. 23, A. Scriabin’s Prelude and Nocturne Op. 9, N. Kapustin’s Concert Etudes Op. 40, Nos. 1 & 5, L. Vierne’s Carillon de Westminster Op. 54 No. 6: theoretic, stylistic and historical background

Dredger, Mary Margaret2022-04-252022-04-252022https://hdl.handle.net/2097/42197The purpose of this manuscript is to supply extended program notes for a master’s recital performed in partial fulfillment of a master’s degree in April 2022. The pieces under discussion are W.A. Mozart’s Sonata No. 18 in D Major, K.576, F. Schubert’s Drei Klavierstücke No. 2, D.946, F. Chopin’s Ballade No. 1 in G minor, Op. 23, A. Scriabin’s Prelude and Nocturne Op. 9, N. Kapustin’s Concert Etudes Op. 40, Nos. 1 & 5, and L. Vierne’s Carillon de Westminster Op. 54 No. 6. Included are full analyses of each piece performed, biographical information on each composer, and brief interpretive and performance-oriented suggestions.en-US© the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).http://rightsstatements.org/vocab/InC/1.0/PianoAnalysisHistoryPerformanceAn analysis of W.A. Mozart’s Sonata No. 18 in D Major, K.576, F. Schubert’s Drei Klavierstücke No. 2, D.946, F. Chopin’s Ballade No. 1 in G minor, Op. 23, A. Scriabin’s Prelude and Nocturne Op. 9, N. Kapustin’s Concert Etudes Op. 40, Nos. 1 & 5, L. Vierne’s Carillon de Westminster Op. 54 No. 6: theoretic, stylistic and historical backgroundReport