A study of J. S. Bach’s Toccata in E Minor, BWV 914; L. van Beethoven’s Piano Sonata No. 7 in D Major, Op. 10, No. 3; F. Liszt’s Grandes Études de Paganini, No. 3, La Campanella, and St. François d’Assise: La Prédication aux Oiseaux, from Deux Légendes, S. 175/1; and S. Prokofiev’s Piano Sonata No. 2 in D minor, Op. 14. Historical, theoretical, stylistic, and pedagogical implications.

Mirano, Barbara Cleo2020-04-152020-04-152020-05-01https://hdl.handle.net/2097/40515This report analyzes the five piano works performed at my master’s recital on March 28th, 2020. These compositions are Johann Sebastian Bach’s Toccata in E Minor, BWV 914; Ludwig van Beethoven’s Piano Sonata No. 7 in D Major, op. 10. no. 3; Franz Liszt’s Grandes Études de Paganini, S. 141, no. 3, La Campanella, and St. François d’Assise: La Prédication aux Oiseaux, from Deux Légendes, S. 175, no. 1; and Sergei Prokofiev’s Piano Sonata No. 2 in D Minor, op. 14. The analysis of each piece is approached from historical, theoretical, stylistic, and pedagogical perspectives.en-US© the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).http://rightsstatements.org/vocab/InC/1.0/PianoBachBeethovenLisztProkofievA study of J. S. Bach’s Toccata in E Minor, BWV 914; L. van Beethoven’s Piano Sonata No. 7 in D Major, Op. 10, No. 3; F. Liszt’s Grandes Études de Paganini, No. 3, La Campanella, and St. François d’Assise: La Prédication aux Oiseaux, from Deux Légendes, S. 175/1; and S. Prokofiev’s Piano Sonata No. 2 in D minor, Op. 14. Historical, theoretical, stylistic, and pedagogical implications.Report