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Krajciova, Jana 2012-04-27T20:32:23Z 2012-04-27T20:32:23Z 2012-04-27 2012 May http://hdl.handle.net/2097/13738 The following report analyzes compositions performed at the author’s Master’s Piano Recital on March 15, 2012. The discussed pieces are Johann Sebastian Bach’s Toccata in G major, BWV 916; Ludwig van Beethoven’s Sonata in E flat major, op. 31, no. 3; Frederic Chopin’s Ballade in F minor, op. 52; Leoš Janáček’s In The Mists: I. Andante, III. Andantino; and Sergei Prokofiev’s Sonata in A minor, op. 28. The author approaches the study from the historical, theoretical, stylistic and pedagogical perspectives. Master of Music Masters Department of Music Slawomir P. Dobrzanski en_US Kansas State University © the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). http://rightsstatements.org/vocab/InC/1.0/ Bach Toccata BWV 916 Beethoven Sonata No.18, op. 31 no. 3 Chopin Ballade No. 4 in F minor, op. 52 Janacek In the Mists: I. Andante, III. Andantino Prokofiev Sonata No. 3 in A minor, op. 28 Music (0413) Performing Arts (0641) A study of J. S. Bach’s Toccata BWV 916, L. van Beethoven’s Sonata op. 31, no. 3, F. Chopin’s Ballade, op. 52, l. Janáček’s In the Mists, I, III; and S. Prokofiev’s Sonata, op. 28: historical, theoretical, stylistic and pedagogical implications Report open.access