A study of J. S. Bach’s Toccata BWV 916; L. van Beethoven’s Sonata Op. 31, No. 3; C. Debussy’s Images Book One; F. Chopin’s Scherzo No. 2, Op. 31: historical, theoretical and stylistic implications

dc.contributor.author	Hua, Ye
dc.date.accessioned	2016-04-22T13:59:57Z
dc.date.available	2016-04-22T13:59:57Z
dc.date.graduationmonth	May	en_US
dc.date.issued	2016-05-01	en_US
dc.date.published	2016	en_US
dc.description.abstract	This Master’s Report is a study of four piano compositions performed on April 10, 2016 at the author’s Master’s Piano Recital. These discussed pieces are including Johann Sebastian Bach’s Toccata in G major, BWV 916; Ludwig van Beethoven’s Sonata in E-flat major, Op. 31, No. 3; Claude Debussy’s Images Book One; Fryderyk Chopin’s Scherzo No. 2, Op. 31. This study focus on historical, theoretical and stylistic implications of each composition.	en_US
dc.description.advisor	Slawomir P. Dobrzanski	en_US
dc.description.degree	Master of Music	en_US
dc.description.department	School of Music, Theatre, and Dance	en_US
dc.description.level	Masters	en_US
dc.identifier.uri	http://hdl.handle.net/2097/32600
dc.language.iso	en_US	en_US
dc.publisher	Kansas State University	en
dc.subject	Bach Toccata BWV 916
dc.subject	Beethoven Sonata Op. 31, No. 3
dc.subject	Debussy Images Book One
dc.subject	Chopin Scherzo No. 2, Op. 31
dc.title	A study of J. S. Bach’s Toccata BWV 916; L. van Beethoven’s Sonata Op. 31, No. 3; C. Debussy’s Images Book One; F. Chopin’s Scherzo No. 2, Op. 31: historical, theoretical and stylistic implications	en_US
dc.type	Report	en_US