A study of J. S. Bach’s Toccata BWV 916; L. van Beethoven’s Sonata Op. 31, No. 3; C. Debussy’s Images Book One; F. Chopin’s Scherzo No. 2, Op. 31: historical, theoretical and stylistic implications

Hua, Ye

A study of J. S. Bach’s Toccata BWV 916; L. van Beethoven’s Sonata Op. 31, No. 3; C. Debussy’s Images Book One; F. Chopin’s Scherzo No. 2, Op. 31: historical, theoretical and stylistic implications

dc.contributor.author	Hua, Ye
dc.date.accessioned	2016-04-22T13:59:57Z
dc.date.available	2016-04-22T13:59:57Z
dc.date.graduationmonth	May
dc.date.issued	2016-05-01
dc.description.abstract	This Master’s Report is a study of four piano compositions performed on April 10, 2016 at the author’s Master’s Piano Recital. These discussed pieces are including Johann Sebastian Bach’s Toccata in G major, BWV 916; Ludwig van Beethoven’s Sonata in E-flat major, Op. 31, No. 3; Claude Debussy’s Images Book One; Fryderyk Chopin’s Scherzo No. 2, Op. 31. This study focus on historical, theoretical and stylistic implications of each composition.
dc.description.advisor	Slawomir P. Dobrzanski
dc.description.degree	Master of Music
dc.description.department	School of Music, Theatre, and Dance
dc.description.level	Masters
dc.identifier.uri	http://hdl.handle.net/2097/32600
dc.language.iso	en_US
dc.publisher	Kansas State University
dc.rights	© the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
dc.rights.uri	http://rightsstatements.org/vocab/InC/1.0/
dc.subject	Bach Toccata BWV 916
dc.subject	Beethoven Sonata Op. 31, No. 3
dc.subject	Debussy Images Book One
dc.subject	Chopin Scherzo No. 2, Op. 31
dc.title	A study of J. S. Bach’s Toccata BWV 916; L. van Beethoven’s Sonata Op. 31, No. 3; C. Debussy’s Images Book One; F. Chopin’s Scherzo No. 2, Op. 31: historical, theoretical and stylistic implications
dc.type	Report