A study of L. van Beethoven’s Sonata Op. 109; R. Schumann’s Faschingsschwank aus Wien, Op. 26; F. Liszt’s Études d'Exécution Transcendante, S.139, No. 8; and S. Prokofiev’s Toccata, Op. 11: Historical, theoretical, and stylistic implications

dc.contributor.authorYonathan, Rinaldi Alvin
dc.date.accessioned2020-04-10T21:04:27Z
dc.date.available2020-04-10T21:04:27Z
dc.date.graduationmonthMay
dc.date.issued2020-05-01
dc.description.abstractThe purpose of this Master’s report is to analyze the works performed at my piano recital on March 24, 2020. The compositions discussed are Ludwig van Beethoven’s Sonata in E major, Op. 109; Robert Schumann’s Faschingsschwank aus Wien, Op. 26; Franz Liszt’s Études d'Exécution Transcendante, S.139 No. 8 ‘Wilde Jagd’; and Sergei Prokofiev’s Toccata in D minor, Op. 11. The author approaches the analysis of the works from historical, theoretical, and stylistic perspectives.
dc.description.advisorSlawomir P. Dobrzanski
dc.description.degreeMaster of Music
dc.description.departmentSchool of Music, Theatre, and Dance
dc.description.levelMasters
dc.identifier.urihttps://hdl.handle.net/2097/40503
dc.language.isoen_US
dc.publisherKansas State University
dc.rights© the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectfaschingsschwank aus wien
dc.subjectwilde jagd
dc.subjecttoccata, op. 11
dc.subjectsonata op. 109
dc.titleA study of L. van Beethoven’s Sonata Op. 109; R. Schumann’s Faschingsschwank aus Wien, Op. 26; F. Liszt’s Études d'Exécution Transcendante, S.139, No. 8; and S. Prokofiev’s Toccata, Op. 11: Historical, theoretical, and stylistic implications
dc.typeReport

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