The history of the flute in jazz, basic techniques, and how jazz and improvisation can inform a classical performance
dc.contributor.author | Rodriguez, Florida | |
dc.date.accessioned | 2018-07-18T14:38:12Z | |
dc.date.available | 2018-07-18T14:38:12Z | |
dc.date.graduationmonth | August | |
dc.date.issued | 2018-08-01 | |
dc.description.abstract | This report covers a history of the flute in jazz music as well as the advancement of the flute in jazz, starting from the late 1920s. The lives of jazz flute pioneers Alberto Socarrás, Wayman Carver, Herbie Mann, Hubert Laws, and Ali Ryerson are discussed, as well as their contributions to the history of jazz flute. Basic jazz techniques such as improvisation are broken down and explained for classically trained flutists and others who have an interest in playing jazz music but do not know where to begin. This report also discusses how practicing these techniques can further aid in preparing a classical performance. Examples included in this report are excerpts from Mozart’s Concerto in D Major for flute and Mike Mower’s Sonata Latino. | |
dc.description.advisor | Karen M. Large | |
dc.description.degree | Master of Music | |
dc.description.department | Department of Music, Theatre, and Dance | |
dc.description.level | Masters | |
dc.identifier.uri | http://hdl.handle.net/2097/39040 | |
dc.language.iso | en_US | |
dc.publisher | Kansas State University | |
dc.rights | © the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). | |
dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | |
dc.subject | Beginner improvisation | |
dc.subject | History of the flute in jazz | |
dc.subject | How to start improvising on flute | |
dc.subject | How does practicing jazz flute help with classical flute music | |
dc.title | The history of the flute in jazz, basic techniques, and how jazz and improvisation can inform a classical performance | |
dc.type | Report |
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