Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections

dc.contributor.authorBoorn, Alida S.
dc.date.accessioned2016-11-11T14:45:02Z
dc.date.available2016-11-11T14:45:02Z
dc.date.graduationmonthDecemberen_US
dc.date.issued2016-12-01en_US
dc.date.published2016en_US
dc.description.abstractAmerican Indian material culture collections are protected in tribal archives and transnational museums. This dissertation argues that the Plains Indian people and Euroamerican people cross pollinated each other’s material culture. Over the last two hundred years’ interpretations of transnational material culture acculturation of the 19th - Century North American Plains Indians has been interpreted in venues that include arts and crafts, photography, museums, world exhibitions, tourism destinations, entertainments and literature. In this work, exhibit catalogs have been utilized as archives. Many historians recognize that American Indians are vital participants and contributors to United States history. This work includes discussions about North American Indigenous people and others who were creators of material culture and art, the people who collected this material culture and their motives, and the various types of collections that blossomed from material culture and oral history proffering. Creators included Plains Indian women who tanned bison hides and their involvement in crafting the most beautiful art works through their skill in quillwork and beadwork. Plains Indian men were also creators. They recorded the family’s and tribe’s histories in pictograph paintings. Plains Indian storytellers created material that was saved and collected through oral tradition. Euroamerican artists created biographical images of the Plains Indian people that they interacted with. Collections of objects, legends, and art resulted from those who collected the creations made by the creators. Thus today there exists fine examples of ethno-heirlooms that pay tribute to the transnational acculturation and survival of the American Indian people of the Great Western Northern American Plains. What is most important is the knowledge, and an appreciation for the idea that a transnational cross-pollination of cultures enriched and became rooted in United States history.en_US
dc.description.advisorBonnie Lynn-Sherowen_US
dc.description.degreeDoctor of Philosophyen_US
dc.description.departmentDepartment of Historyen_US
dc.description.levelDoctoralen_US
dc.identifier.urihttp://hdl.handle.net/2097/34472
dc.language.isoenen_US
dc.publisherKansas State Universityen
dc.subjectNative American studiesen_US
dc.subjectAmerican historyen_US
dc.subjectMuseum studiesen_US
dc.subjectMaterial cultureen_US
dc.subjectNorth American Plains Indainsen_US
dc.subjectArt historyen_US
dc.titleInterpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collectionsen_US
dc.typeDissertationen_US

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