Overthrown: clay without limits, a review
dc.citation.epage | 106 | en_US |
dc.citation.issue | 87 | en_US |
dc.citation.jtitle | Ceramics: Art and Perception | en_US |
dc.citation.spage | 104 | en_US |
dc.citation.volume | 2012 | en_US |
dc.contributor.author | Brown, Glen R. | |
dc.contributor.authoreid | gbrown | en_US |
dc.date.accessioned | 2013-11-19T22:23:35Z | |
dc.date.available | 2013-11-19T22:23:35Z | |
dc.date.issued | 2013-11-19 | |
dc.date.published | 2012 | en_US |
dc.identifier.uri | http://hdl.handle.net/2097/16834 | |
dc.language.iso | en_US | en_US |
dc.relation.uri | http://ceramicart.com.au/ | en_US |
dc.rights | Permission to archive granted by Ceramics: Art and Perception, October 28, 2013. | en_US |
dc.subject | Avant-garde | en_US |
dc.subject | Ceramics | en_US |
dc.subject | Museum exhibitions | en_US |
dc.subject | Denver Art Museum | en_US |
dc.title | Overthrown: clay without limits, a review | en_US |
dc.type | Article (publisher version) | en_US |