Voices inside the outside: Queer perspectives in hip-hop, RnB and rap

Date

2024

Journal Title

Journal ISSN

Volume Title

Publisher

Kansas State University

Abstract

This study investigated how queer artists of color within the hip-hop, rap and RnB genres of music expressed narratives of oppression and resiliency, as well as interrogating mirrors of misogynistic messaging from previous research. This research was investigated from Black Feminism, Intersectionality, and a critical Queer perspective. Utilizing a sample of thirteen queer-identifying artists and 205 songs from 1990 to 2022, I examined lyrical content with an Ethnographic Content Analysis framework, and data was also gathered through coding thematic elements. Results indicated that artists were unable to isolate their experiences with racism and queerphobia, rather speaking of them as interconnected. Religiously justified oppression was a predominant portion of these experiences, from a basis of racism and queerphobia alike. Despite this, Resiliency was the most frequently coded thematic element, showing messages of hope and positivity were at the forefront. Additionally, there were concerning trends of depression, self-harm and suicide mentioned explicitly within most albums. This study also found a dearth of misogynistic or anti-femme messaging in comparison to prior research on non-queer artists. Collectively, these findings have implications for future research, as well as policy changes to support the mental health of this vulnerable population.

Description

Keywords

Intersectionality, Queer theory, Hip-Hop Feminism, Content analysis, Black Feminism

Graduation Month

May

Degree

Master of Arts

Department

Department of Sociology, Anthropology, and Social Work

Major Professor

Lisa A. Melander

Date

Type

Thesis

Citation