An evolution of song: Opera, Oratorio, and Art Song

Wakeley, Meghan A.

An evolution of song: Opera, Oratorio, and Art Song

dc.contributor.author	Wakeley, Meghan A.
dc.date.accessioned	2011-05-09T20:02:58Z
dc.date.available	2011-05-09T20:02:58Z
dc.date.graduationmonth	May
dc.date.issued	2011-05-09
dc.date.published	2011
dc.description.abstract	This master’s report is a discussion of the selections and composers presented on my graduate recital performed in All Faiths Chapel on Thursday, April 28, 2010. This report is also an in-depth look at the history and evolution of opera arias, oratorio, and art songs beginning in the Renaissance period. The first chapter discusses song in the Renaissance period and the origin of opera. Chapter two discusses oratorio and the Baroque period. Chapter three discusses art song and opera arias in the Classical period, with particular emphasis on Wolfgang Amadeus Mozart. Chapter four discusses art song and opera aria in the Bel Canto style and Romantic period. Chapter four will also include information about the operetta. Chapter five discusses art song and opera aria in the Modern period.
dc.description.advisor	Reginald L. Pittman
dc.description.degree	Master of Music
dc.description.department	Department of Music
dc.description.level	Masters
dc.identifier.uri	http://hdl.handle.net/2097/8864
dc.language.iso	en_US
dc.publisher	Kansas State University
dc.rights	© the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
dc.rights.uri	http://rightsstatements.org/vocab/InC/1.0/
dc.subject	Opera
dc.subject	Art Song
dc.subject.umi	Music (0413)
dc.title	An evolution of song: Opera, Oratorio, and Art Song
dc.type	Report