An analysis of J.S. Bach’s Partita in B flat major, BWV 825; W.A. Mozart’s Piano Sonata in D major, K.576; F. Chopin’s Mazurkas, Opus 17; A. Khachaturian’s Toccata: theoretical, stylistic, and historical background

dc.contributor.authorKim, Jung Wonen_US
dc.date.accessioned2015-07-20T15:53:04Z
dc.date.available2015-07-20T15:53:04Z
dc.date.graduationmonthAugusten_US
dc.date.issued2015-08-01en_US
dc.date.published2015en_US
dc.description.abstractThis Master’s report analyzes four piano compositions performed on April 9, 2015 at the author’s Master’s recital. The works under consideration are Johann Sebastian Bach’s Partita in B flat major, BWV 825; Wolfgang Amadeus Mozart’s Piano Sonata in D major, K.576; Fryderyk Chopin’s Four Mazurkas, Opus 17; and Aram Khachaturian’s Toccata. This analysis includes the discussion of the theoretical, stylistic, and historical background of each composition.en_US
dc.description.advisorSlawomir Dobrzanskien_US
dc.description.degreeMaster of Musicen_US
dc.description.departmentMusic, Theatre, and Danceen_US
dc.description.levelMastersen_US
dc.identifier.urihttp://hdl.handle.net/2097/20101
dc.language.isoen_USen_US
dc.publisherKansas State Universityen
dc.subjectBach Partita in B-flat majoren_US
dc.subjectMozart Piano Sonata in D-major K.576en_US
dc.subjectChopin Mazurka Op.17en_US
dc.subjectKhachaturian Toccataen_US
dc.subject.umiMusic (0413)en_US
dc.titleAn analysis of J.S. Bach’s Partita in B flat major, BWV 825; W.A. Mozart’s Piano Sonata in D major, K.576; F. Chopin’s Mazurkas, Opus 17; A. Khachaturian’s Toccata: theoretical, stylistic, and historical backgrounden_US
dc.typeReporten_US

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