A study of L. Van Beethoven’s Sonata Op. 31, No.1; Chopin’s Nocturne Op. 55, No. 2 and Ballade Op. 23; Ponce’s Prelude and Fugue on a theme by Handel; and Larregla’s ¡Viva Navarra! Jota de Concierto: historical, theoretical and stylistic implications
| dc.contributor.author | Vazquez Medrano, Oscar | |
| dc.date.accessioned | 2018-04-12T15:52:33Z | |
| dc.date.available | 2018-04-12T15:52:33Z | |
| dc.date.graduationmonth | May | en_US |
| dc.date.issued | 2018-05-01 | en_US |
| dc.date.published | 2018 | en_US |
| dc.description.abstract | The purpose of this Master’s report is to analyze the five-piano works at the author’s piano recital on April 8, 2018. The discussed pieces are Ludwig van Beethoven’s Sonata in G major Op. 31, No.1; Fryderyk Franciszek Chopin’s Nocturne Op. 55, No. 2 and Ballade in G minor, Op. 23; Manuel M. Ponce’s Prelude and Fugue on a theme by Handel; and Joaquín Larregla Urbieta’s ¡Viva Navarra! Jota de Concierto. The author approaches the analysis and study of the pieces from the historical, theoretical, and stylistic perspectives. | en_US |
| dc.description.advisor | Slawomir P. Dobrzanski | en_US |
| dc.description.degree | Master of Music | en_US |
| dc.description.department | School of Music, Theatre, and Dance | en_US |
| dc.description.level | Masters | en_US |
| dc.identifier.uri | http://hdl.handle.net/2097/38758 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | Kansas State University | en |
| dc.subject | Music | en_US |
| dc.subject | Piano | en_US |
| dc.subject | Ludwig van Beethoven | en_US |
| dc.subject | Fryderyk Francisek Chopin | en_US |
| dc.subject | Manuel M. Ponce | en_US |
| dc.subject | Joaquin Larregla Urbieta | en_US |
| dc.title | A study of L. Van Beethoven’s Sonata Op. 31, No.1; Chopin’s Nocturne Op. 55, No. 2 and Ballade Op. 23; Ponce’s Prelude and Fugue on a theme by Handel; and Larregla’s ¡Viva Navarra! Jota de Concierto: historical, theoretical and stylistic implications | en_US |
| dc.type | Report | en_US |
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