From the nightlife to the school day: a survey of informal music learning experiences and perspectives among music educators

dc.contributor.authorFlory, Wilson Reeseen_US
dc.date.accessioned2014-09-29T13:26:30Z
dc.date.available2014-09-29T13:26:30Z
dc.date.graduationmonthDecemberen_US
dc.date.issued2014-09-29
dc.date.published2014en_US
dc.description.abstractThe purpose of this study was to determine if music educators who have had experiences with informal music are more likely to employ informal learning within their classroom. Secondary research objectives included a comparison of survey results against specific demographics of the survey participants, an examination of the types of informal learning that the participants experienced and facilitated, and a look at the perceived barriers and benefits of informal music learning from the viewpoints of the participants. Participants (N=25) were practicing music educators pursuing graduate music studies. The participants were enrolled in a summer Master of Music program at a university in the Midwest. Data was collected by employing a pen and paper survey that provided a demographic description and informal music learning questionnaire. The participants were asked to indicate the frequency of participation in informal music activities prior to becoming a music educator. They further reported what informal music learning activities they facilitate within their school music curriculum. Finally, the participants responded to two short answer questions where they identified barriers and benefits they perceive with the implementation of informal music practices within their music programs. Results from a Pearson correlation showed a moderately strong relationship (p = 0.43) between participants who had informal music experiences (E) and who employed informal music learning within their music curriculum (C). There were no significant differences observed in the results between participants of different gender or school division. Of the short answer responses cataloged, participants cited a lack of experience with informal music and difficulty of connecting informal music learning to the formal music curriculum as the barriers to employing informal music learning in the classroom. The participants discussed the increase in student motivation, expanding musicality, and real-world relevance as the benefits of informal music learning. Knowledge gained from this study may be useful to individuals facilitating informal music learning within music education programs at the primary, secondary, or collegiate levels.en_US
dc.description.advisorPhillip D. Payneen_US
dc.description.degreeMaster of Musicen_US
dc.description.departmentDepartment of Musicen_US
dc.description.levelMastersen_US
dc.identifier.urihttp://hdl.handle.net/2097/18345
dc.language.isoen_USen_US
dc.publisherKansas State Universityen
dc.subjectInformal learningen_US
dc.subjectInformal musicen_US
dc.subjectMusic educationen_US
dc.subjectArts advocacyen_US
dc.subjectMusic curriculumen_US
dc.subjectRelevance in music educationen_US
dc.subject.umiMusic (0413)en_US
dc.subject.umiMusic Education (0522)en_US
dc.titleFrom the nightlife to the school day: a survey of informal music learning experiences and perspectives among music educatorsen_US
dc.typeReporten_US

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W. Reese Flory's masters report surveying pre-service experiences and curriculum employment of informal music techniques among music educators
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