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The rhetoric of originality: Paul Celan and the disentanglement of illness and creativity

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dc.citation.epage407en_US
dc.citation.issue4en_US
dc.citation.jtitleGerman Quarterlyen_US
dc.citation.spage394en_US
dc.citation.volume75en_US
dc.contributor.authorHillard, Derek
dc.contributor.authoreiddhillarden_US
dc.date.accessioned2012-01-12T19:12:01Z
dc.date.available2012-01-12T19:12:01Z
dc.date.issued2012-01-12
dc.date.published2002en_US
dc.identifier.urihttp://hdl.handle.net/2097/13324
dc.relation.urihttp://www.jstor.org/stable/3252210en_US
dc.subjectCelan, Paulen_US
dc.subjectGerman poetryen_US
dc.subjectOrigins in literatureen_US
dc.subjectMadness in literatureen_US
dc.subjectHolderlin, Friedrichen
dc.titleThe rhetoric of originality: Paul Celan and the disentanglement of illness and creativityen_US
dc.typeArticle (publisher version)en_US

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