| dc.citation.epage | 154 | en_US |
| dc.citation.issue | 2 | en_US |
| dc.citation.jtitle | Journal of the Fantastic in the Arts | en_US |
| dc.citation.spage | 142 | en_US |
| dc.citation.volume | 10 | en_US |
| dc.contributor.author | Sanders, Joe S. | |
| dc.contributor.authoreid | joess | en_US |
| dc.date.accessioned | 2013-03-13T18:46:08Z | |
| dc.date.available | 2013-03-13T18:46:08Z | |
| dc.date.issued | 1999-03-01 | |
| dc.date.published | 1999 | en_US |
| dc.identifier.uri | http://hdl.handle.net/2097/15350 | |
| dc.language.iso | en_US | en_US |
| dc.relation.uri | http://www.fantastic-arts.org/jfa/ | en_US |
| dc.rights | Permission to archive granted by Journal of the Fantastic in the Arts, February 7, 2013. | en_US |
| dc.subject | King, Stephen--1947- | en_US |
| dc.subject | Salem's Lot | en_US |
| dc.subject | Horror genre | en_US |
| dc.subject | Closure (rhetoric) | en_US |
| dc.title | Closure and power in Salem's Lot | en_US |
| dc.type | Article (publisher version) | en_US |
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