A survey of form and compositional practices of Ralph Vaughan Williams, Igor Stravinsky, Paul Hindemith, and Robert Roth in Kyrie of the mass ordinary

dc.contributor.authorRoth, Robert Ray
dc.date.accessioned2014-04-25T23:06:31Z
dc.date.available2014-04-25T23:06:31Z
dc.date.graduationmonthMayen_US
dc.date.issued2014-04-25
dc.date.published2014en_US
dc.description.abstractRalph Vaughan Williams, Igor Stravinsky, and Paul Hindemith, three prolific composers of the 20th century, wrote for the medium of the mass ordinary in different ways. This report comprises a survey of those composers’ styles using the Kyrie movement of the mass ordinary as the main vehicle of compositional exploration. The results of this compositional survey examine the form and various techniques the composers employ to garner the same emotional response from the listeners of the Kyrie text. The final portion of the report explores the author’s personal compositional contribution to the mass ordinary.en_US
dc.description.advisorCraig A. Westonen_US
dc.description.degreeMaster of Musicen_US
dc.description.departmentDepartment of Music, Theater, and Danceen_US
dc.description.levelMastersen_US
dc.identifier.urihttp://hdl.handle.net/2097/17599
dc.language.isoen_USen_US
dc.publisherKansas State Universityen
dc.subject.umiMusic (0413)en_US
dc.subject.umiMusical Performances (0943)en_US
dc.titleA survey of form and compositional practices of Ralph Vaughan Williams, Igor Stravinsky, Paul Hindemith, and Robert Roth in Kyrie of the mass ordinaryen_US
dc.typeReporten_US

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