A survey of form and compositional practices of Ralph Vaughan Williams, Igor Stravinsky, Paul Hindemith, and Robert Roth in Kyrie of the mass ordinary

dc.contributor.authorRoth, Robert Ray
dc.date.accessioned2014-04-25T23:06:31Z
dc.date.available2014-04-25T23:06:31Z
dc.date.graduationmonthMay
dc.date.issued2014-04-25
dc.date.published2014
dc.description.abstractRalph Vaughan Williams, Igor Stravinsky, and Paul Hindemith, three prolific composers of the 20th century, wrote for the medium of the mass ordinary in different ways. This report comprises a survey of those composers’ styles using the Kyrie movement of the mass ordinary as the main vehicle of compositional exploration. The results of this compositional survey examine the form and various techniques the composers employ to garner the same emotional response from the listeners of the Kyrie text. The final portion of the report explores the author’s personal compositional contribution to the mass ordinary.
dc.description.advisorCraig A. Weston
dc.description.degreeMaster of Music
dc.description.departmentDepartment of Music, Theater, and Dance
dc.description.levelMasters
dc.identifier.urihttp://hdl.handle.net/2097/17599
dc.language.isoen_US
dc.publisherKansas State University
dc.rights© the author. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subject.umiMusic (0413)
dc.subject.umiMusical Performances (0943)
dc.titleA survey of form and compositional practices of Ralph Vaughan Williams, Igor Stravinsky, Paul Hindemith, and Robert Roth in Kyrie of the mass ordinary
dc.typeReport

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