Analysis and rehearsal consideration on Antonio Vivaldi's Gloria: RV 589

dc.contributor.authorHwang, Joo Yeon
dc.date.accessioned2012-05-07T15:06:25Z
dc.date.available2012-05-07T15:06:25Z
dc.date.graduationmonthMayen_US
dc.date.issued2012-05-07
dc.date.published2012en_US
dc.description.abstractThis report presents the biography of the composer Antonio Vivaldi, background of his composition Gloria, musical characteristics and analysis. Moreover, for a successful performance, rehearsal plans and techniques are also included. Antonio Vivaldi (1678-1741), one of the representative composers in Baroque period (1600-1750), wrote Gloria, in the early 18th century. The composition date is still disputed between scholars. He composed three settings of the Gloria text: RV 588, 589 and 590. Out of them RV 589 is the most performed setting. Gloria consists of twelve movements and orchestration of trumpet, oboe, strings, and continuo. Homophonic and polyphonic style is prevalent in this work. In addition, focus should be placed on the harmonic suspensions, the flow of chromatic melodic lines and melismas. For the recital, Chamber Singers consisted of 23 people who were the members of Concert Choir who have training focusing on clean and light tone with non-vibrato style.en_US
dc.description.advisorJulie Yu Oppenheimen_US
dc.description.degreeMaster of Musicen_US
dc.description.departmentDepartment of Musicen_US
dc.description.levelMastersen_US
dc.identifier.urihttp://hdl.handle.net/2097/13802
dc.language.isoen_USen_US
dc.publisherKansas State Universityen
dc.subjectVivaldien_US
dc.subjectGloriaen_US
dc.subject.umiMusical Performances (0943)en_US
dc.titleAnalysis and rehearsal consideration on Antonio Vivaldi's Gloria: RV 589en_US
dc.typeReporten_US

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