A study of the works From My Little Island: Folk Song by Robert Aldridge, Nagoya Marimbas by Steve Reich, Ti Mon Bo by Tito Puente, Trio Per Uno by Nebojsa Zivkovic, Wind in the Bamboo Grove by Keiko Abe, Eight Pieces for Four Timpani: VIII. March by Elliott Carter, Douze Études: No. 9 by Jacques Delécluse, Prelude to a Dream by Bryce Craig, Birifor Funeral Repertoire, Log Cabin Blues by George Hamilton Green

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dc.contributor.author Donovan, John McKee
dc.date.accessioned 2017-04-19T13:46:08Z
dc.date.available 2017-04-19T13:46:08Z
dc.date.issued 2017-05-01 en_US
dc.identifier.uri http://hdl.handle.net/2097/35422
dc.description.abstract This document is an analysis of the all of the pieces prepared for my master’s recital which was given on March 12, 2017 in Kirmser Hall on the campus of Kansas State University. I have analyzed these piece from both a theoretical and historical point of view. When programming a recital, especially a recital for a collegiate percussion student, it is important to have a diverse representation of percussion music to demonstrate a broad knowledge of music and technical ability. en_US
dc.language.iso en_US en_US
dc.publisher Kansas State University en
dc.subject Music en_US
dc.subject Percussion en_US
dc.title A study of the works From My Little Island: Folk Song by Robert Aldridge, Nagoya Marimbas by Steve Reich, Ti Mon Bo by Tito Puente, Trio Per Uno by Nebojsa Zivkovic, Wind in the Bamboo Grove by Keiko Abe, Eight Pieces for Four Timpani: VIII. March by Elliott Carter, Douze Études: No. 9 by Jacques Delécluse, Prelude to a Dream by Bryce Craig, Birifor Funeral Repertoire, Log Cabin Blues by George Hamilton Green en_US
dc.type Report en_US
dc.description.degree Master of Music en_US
dc.description.level Masters en_US
dc.description.department Department of Music, Theatre, and Dance en_US
dc.description.advisor Kurt R. Gartner en_US
dc.date.published 2017 en_US
dc.date.graduationmonth May en_US


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