Sacred songs of Dvořák, Menotti, Ravel and Wolf

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dc.contributor.author Ballinger, Rebecca
dc.date.accessioned 2012-04-30T15:28:51Z
dc.date.available 2012-04-30T15:28:51Z
dc.date.issued 2012-04-30
dc.identifier.uri http://hdl.handle.net/2097/13747
dc.description.abstract This report examines the sacred works of four composers that were intended for performance in a secular environment, rather than for any portion of a liturgical service. It will discuss the theoretical, stylistic and performance considerations of each work, as well as biographical information about each composer, their compositional style, and how the work was initially developed. These works include the Biblické písně, Op. 99 of Antonín Dvořák, selections from the Möricke Lieder and Spanisches Liederbuch of Hugo Wolf, Maurice Ravel’s Deux mélodies hébraïque, “Oh, Sweet Jesus” from Gian Carlo Menotti’s’ the Saint of Bleecker Street and the quartet from his Amahl and the Night Visitors. en_US
dc.language.iso en_US en_US
dc.publisher Kansas State University en
dc.subject Music en_US
dc.subject Biblical en_US
dc.title Sacred songs of Dvořák, Menotti, Ravel and Wolf en_US
dc.type Report en_US
dc.description.degree Master of Music en_US
dc.description.level Masters en_US
dc.description.department Department of Music en_US
dc.description.advisor Amy Rosine en_US
dc.subject.umi Music (0413) en_US
dc.subject.umi Religion (0318) en_US
dc.date.published 2012 en_US
dc.date.graduationmonth May en_US


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