Landscape and Contemporary Art: Overlap, Disregard, and Relevance

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dc.contributor.author Kingery-Page, Katie
dc.date.accessioned 2011-05-24T14:50:08Z
dc.date.available 2011-05-24T14:50:08Z
dc.date.issued 2011-05-24
dc.identifier.uri http://hdl.handle.net/2097/9185
dc.description.abstract Landscape, viewed for centuries by the art world as either an inspirational source for art or as a kind of decorative art, emerged with a new prominence during the twentieth century. Artists and landscape architects now share a realm of overlapping practice. By understanding contemporary art as a body of knowledge and art itself as a ‘mode of knowledge,’ students, educators, and practitioners of landscape architecture can compete more effectively with other ‘form-givers’ in 21st century culture. Art as a mode of knowledge is often disregarded within landscape architecture, in favor of seemingly more analytical approaches to design research dilemmas. Using examples of 20th and 21st century urban art, I argue for art as a mode of knowledge relevant to current landscape architecture practices. I demonstrate the results of applying normative artistic research to a student design project. en_US
dc.subject Landscape architecture en_US
dc.subject Contemporary art en_US
dc.subject Urban art en_US
dc.subject Hip hop en_US
dc.subject Bronx en_US
dc.subject Detroit en_US
dc.subject New Orleans en_US
dc.title Landscape and Contemporary Art: Overlap, Disregard, and Relevance en_US
dc.type Text en_US
dc.date.published 2010 en_US
dc.citation.epage 12 en_US
dc.citation.spage 1 en_US
dc.description.conference Landscape Legacy: Landscape Architecture and Planning Between Art and Science May 12-14, 2010, Maastricht, the Netherlands en_US
dc.contributor.authoreid kkp en_US

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