La génesis de Nosferatu en el cine mudo

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dc.contributor.author Barr, Amanda M.
dc.date.accessioned 2008-12-19T15:17:21Z
dc.date.available 2008-12-19T15:17:21Z
dc.date.issued 2008-12-19T15:17:21Z
dc.identifier.uri http://hdl.handle.net/2097/1090
dc.description.abstract This thesis analyses the play Nosferatu by the contemporary Spanish author Francisco Nieva, and more specifically focuses on its genesis in silent film, primarily German Expressionist. First we take a look at the genre and style of the work itself, followed by a history of the vampire in literature and film. After a brief summary of the play, we begin to focus on the films, first discussing how Nieva came into contact with them in France through the cinémathèques. What follows is a detailed study of the films, with summaries, analysis of themes, and finally a comparison to Nosferatu, looking at the elements of the play that each film directly influenced. en
dc.language.iso es_US en
dc.publisher Kansas State University en
dc.subject Nosferatu en
dc.subject Francisco Nieva en
dc.subject Expressionist cinema en
dc.subject Spanish theatre en
dc.title La génesis de Nosferatu en el cine mudo en
dc.type Thesis en
dc.description.degree Master of Arts en
dc.description.level Masters en
dc.description.department Department of Modern Languages en
dc.description.advisor Benjamin Torrico en
dc.subject.umi Theater (0465) en
dc.date.published 2008 en
dc.date.graduationmonth December en

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